The makers of a new documentary alleging the iconic "Napalm Girl" photo was deliberately credited to the wrong photographer -- claims denied by the Associated Press -- said Sunday that it is "critical" to "share this story with the world.

The Times spoke to team behind "The Stringer" and an attorney for former AP photographer Nick Ut about the film's claims that Ut did not take the photo known as "Napalm Girl."

A two-year investigation uncovers a scandal behind the making of one of the most-recognized photographs of the 20th century. Five decades of secrets are unraveled in the search for justice for a man known only as “the stringer.

Sundance Film Festival begins Thursday in Park City, Utah. Many in the movie business continue to deal with the devastating fallout from the Los Angeles-area wildfires, but some are decamping to the mountains for fresh air,

After a half-century of public silence, a freelance photographer from Vietnam has asserted he took one of the most renowned and powerful photos of the 20th century — the image of a naked girl fleeing a napalm attack that has long been credited to a staff photographer from.

The battle heats up between indie journalists and the Associated Press over a movie questioning the author of an iconic Vietnam image.

It's one of the most enduring images of the Vietnam War — an Associated Press photograph of a young girl running naked down a street after being caught in a napalm attack.

A new documentary, The Stringer, which premiered at the Sundance Film Festival, has ignited a heated debate over the authorship of one of the most iconic photographs in history: the "Napalm Girl." The

Utah leaders, locals and longtime attendees of the Sundance Film Festival are making their final push to keep the world-renowned independent film festival in the state as its directors consider uprooting it.

For Park City’s full-time residents, many of whom have grown up with the Sundance Film Festival, the idea of it leaving seems unimaginable.

“Sunfish (& Other Stories on Green Lake)” was written and directed by Sierra Falconer, produced by her husband Grant Ellison, and co-produced by Nick and Chris Loud. They are all creatives with strong ties to Northern Michigan, and the movie was shot in and around Interlochen on Green Lake — a family connection for the director.