And if there's one character who perfectly embodies this, it's Johnny Lawrence. I recently binged the final five episodes of Cobra Kai season six, which takes place shortly after that devastating ...

Cobra Kai's trio of showrunners, producers, writers, and directors, Josh Heald, Jon Hurwitz, and Hayden Schlossberg, have been thinking about their series finale for years. "Even before we wrote ...

Johnny Lawrence and Mike Barnes both brought some pretty cool moves to their fight in Cobra Kai season 6. Right from the start, the pair kicked off the match by launching a punch at precisely the ...

After Johnny wins the tournament, he’s carried just like Daniel was, and then Daniel says, “You’re alright, Lawrence,” as Johnny invites him to come hold the trophy, too.

I think their love for Johnny Lawrence, and the work I did in the ‘80s from some other films, too, I was always the heel. They called me for a meeting to pitch Cobra Kai and I had no idea what ...

They promised to finally reveal why Johnny Lawrence (William Zabka) is banned from Applebee’s. But, they decided not to give it away. Instead, they decided to save it for Cobra Kai Season 6.

The year was 1984… Johnny Lawrence, a troubled teen from an emotionally abusive home was out for a Sunday ride on his beloved motorcycle with the only family he’d ever known: the brotherhood of Cobra ...

As fans know, Cobra Kai finds Johnny Lawrence years away from his high school breakup with Ali. To Johnny’s somewhat understandable relief, she did not end up with Daniel LaRusso either.

By Season 3 of “Cobra Kai,” Johnny Lawrence (William Zabka) is nothing like the bad guy he played for roughly two hours and four minutes of the 2-hour, 6-minute 1984 movie “The Karate Kid.” ...

While the standard Johnny Lawrence figure features our hero in his traditional Cobra Kai uniform, this variant (sculpted by Rocco Tartamella and Chris Dahlberg) instead draws inspiration from ...

Johnny Lawrence’s idea of triumphant music became the ‘Cobra Kai’ theme song Birenberg and Robinson composed a score that embodied Johnny’s self-image.